In compliance with Flash Arts somewhat recent questionnaire (here are the others):
1. Q: What is painting? A: Mark making with oil laced pigments. My interpretation any way.
2. Q: What is your favorite color? A: Chartreuse.
3. Q: Which artist or painter has influenced you? A: I keep thinking about Bonnard. For someone recent, I can’t help but admire Amy Sillman’s work.
4. Q: Is there a work of art you would like to have in your home next to your own work? A: Sure, how about Matisse’s “Interior with Goldfish”.
5. Q: What is the best way to exhibit a painting? A: A nice wall with no competing details. Thanks. Please keep away from the wood paneling.
6. Q: What are the limits of painting? A: Only the one’s the artist puts on them self. Okay, and what ever surface support that can reasonably fit through your studio door frame.
7. Q: How do you start a work — do you have any rituals? A: Lots of puttering, reading, doodling, throwing darts and then it happens.
8. Q: Is there a future for painting or you are one of the last survivors? Q: Never underestimate what drives humanity. We still have books. We still have paintings. We’ll continue to have both.
9. Q: If you were about to be reborn, what would you like to be — still a painter? Q: I guess I found that out by starting and stopping and missing it, so yes, still a painter.
10. Q: Do you think painting is under-appreciated today? A: It certainly isn’t front and center in the mainstream world like it might have been in prior decades. I think it depends on what kind of company you keep. I don’t know if most people actually think much about painting on a daily basis, but during my lifetime I don’t know if they ever did. That being said, it seems like everyone wants to be an artist these days, which of course is open to interpretation.
Aside – The Modern Arts Podcast this week starring the above mentioned Amy Sillman is superb. I literally, like Bonnard’s wife lay in my bathtub Thursday night with my eyes closed and listened to it. Sillman is funny, thoughtful and not shy of commenting on things in her work that some other painters might not own up to. For instance she pokes fun of herself for having a skill set that would allow her to paint cute quite well if need be. She tasked herself with an assignment to paint only adorable subject matter for an extended bit of time (which she discusses in the exchange with Tyler). She stresses (as she has in other interviews) that drawing is central to her work. I’m already a large fan but it is always a delight to hear people talk about their work so candidly.
I’m particularity fond of a painting that’s in the catalog One Lump or Two from her current survey show at the Institute of Contemporary Art / Boston. Sadly no cross country flights planned for this one in the near future. In that parallel universe of a perfect life I would very much choose to see the show with my own eyes, up close and personal. At any rate, the painting is titled Them, 2006 (pg. 79). It would go nicely with the Bonnard at the top of the post. The catalog is beautiful and I’m still working my way through the essays.