I have been sifting through the stacks that have piled of old work. What to do with it?
I have some really large drawings that I did in after living in NYC for 3 or 4 years. I had become obsessed with nature, feeling particularly deprived. I did these large charcoal drawings of bird houses- at human scale. I only showed them once, at the Soap Factory in Minneapolis. So I think I still like them-they’ve been rolled up in a tube since- moved from one storage place to another.
After that wall space or floor space to produce work at that scale was non-existent as I closed that studio making tiny panel paintings in a small corner of the apartment.
Should the drawings languish?
Sometimes I hold on to old work just as a reminder of what the hell was I thinking or on the flip side the piles of life drawings from this era remind me I wasn’t totally stagnant. Other times I just get rid of stuff I really hate-or in practical moments I’ve turned large panels (actually hollow doors) over and used them as worktables.
Cleaning up the studio-these are the times I envy writers or those that follow less “thing oriented”, conceptual work. To those that can place their entire life’s work on a CD or just cart around a laptop, I am envious. Us painters and drummers hauling around all that stuff- then just add a little turpentine to the responsibility. For gods sake, I won’t even go into the needs of sculptors. I live with one who hung up his sculpture hat and always threatens to take a load to the dump. No! I say.
Still one wonders the burden of these things we make.
Things to not think of in the studio:
Artists are often concerned with the archival quality of their work, yet museum storerooms continue fill up with unseen works and landfills pile high with discarded work. As a young retail clerk in an art supply store I remember being pointedly amused by people buying shopping carts of acrylic paint and stacks of foam core only to tell me at check out to “save the bag— to save a tree”.