In Clover in Portland.
In Clover in Portland.
I have images up of the sculpture I made last month while I was in Iceland. They were the last pieces I made during my stay, basically what came out of my first few weeks painting and drawing. The photos I took at 4 in the morning before having to pack them up and ship them out a day before I left. The scale of the camera angle makes them look deceptively large, which I think is funny. The sculptures are made out of Sculpey (actually SuperSculpey™), a material I thought could be easily transported—not take up too much space. I had a blast with it actually. While the rest of the world was baking holiday cookies that week I was pulling sheets of plasticene in and out of the oven.
The entire body of work is a continuation of the Radiolaria series I started while in residency in North Carolina last summer. It is strange for me, as the whole series has been executed outside of my own studio. The sculptures I actually like, and in reality remind me of overgrown skin tags as opposed to the small sea microplasms they are based on. The paintings and drawings, when I pulled them out of the box this weekend were too hard to look at right now and I’ve put them away for a few months. I was discussing this work with friends over wine a week ago and realized it is the most impersonal body of work I’ve ever executed, and feel too close to it at the moment. I will be showing the entire Radiolaria Series in July at Shift Studio, a date that seems far off now but will be here before I know it.
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