I went to the very tail end of the opening of Drawings yesterday at Francine Seders Gallery. I highly encourage a visit to this show in the next month if you are a fan of the sport of drawing. I was particularly taken by Caryn Friedlander’s work, which is heavy in the mark-making division, and absolutely beautiful. I found her process reminiscent slightly of Susan Rothenberg’s large scale charcoal drawings. I was also glad to see James Deitz’s work, which could be situated in that same camp, using less abstraction though.
Francine Seders , who has had her own gallery for almost 40 years takes her artists seriously as well as the art they make. You will find she consistently mounting exhibits worth your time as a viewer.
The opening of Drawings was well attended. I did not run into Mr. Deitz, but as I snaked my way around the crowd I was appreciative of four young men engaged in a heavy discussion while looking at one of Friedlander’s pieces. After making my way upstairs and back around the main gallery for another look, they were still at it. I’ve probably said this before, but it is certainly not a coincidence that Seder’s church like gallery is open to the public on Sunday.
So I didn’t make it to my Modern Matriarch’s show at MoNA. Time seems to be increasingly fleeting on the weekend especially when I am being greedy with my own studio hours. Factor in a four hour round trip drive on icy roads and…well maybe next weekend. I was looking forward to seeing that group of artists at their reception though.
For fun, here is one for Todd: Is figure sculpting dead?. These kind of conversations remind me of that game from childhood Gnip Gnop.
and one last thing, as Tyler mentions in his post today, there is some strange sorting out going on over here in Seattle in attempting to answer the question: how to bring a donor’s wish to fruition by using his $1M grant for a public fountain (parameter: must contain naked man).
The good news, Louise Bourgeois is short listed as the chosen artist for the project. As noted Saturday in the PI:
“The Seattle Art Museum’s Olympic Sculpture Park is in final negotiations with Smailes’ lawyer and New York artist Louise Bourgeois, allowing her to create a fountain featuring two male nudes.The contracts have not been signed, but sources involved say the artist has agreed to create the sculpture for the waterfront park opening in 2006. ”